Also pick a variation of intervals, (3rds, 4ths, 5ths). #102a* – Each day pick a different variation of scales, (major, minor, harmonic minor).#99 & #100 – Play #99 as is resting at the end of each key signature, Start #100 on low F# and extend exercise to F# an octave up or keep going as high as you can. #97* – The goal was to play in one breath.# 95 – Sustain top notes resting or trading off with you partner at each breath mark.#36B – Start with variation A, then variations 2, 3, 4 and 5 going up a half step with each variation.#6 – Start soft, Crescendo to next bar and Decrescendo.The rest of the 1st session of the day is all Schlossberg: Adam always said 3 hours was a minimum comprised of an hour for: basic maintenance, technique, and solo and repertoire literature.Ĭlarke #1- Start on F# in the staff, F, G and expand outward. Our practice session times could total 4 to 5 hours. The 1st session was pretty much the same everyday, but sessions 2 and 3 were pick and choose to keep things fresh, interesting and challenge ourselves. Our daily practice was broken up into sessions. Practicing with a friend helped insure that and also gets one used to playing in front of others. Adam ascribed to the “rest as long as you play” concept. It should be used as an informative look into their daily routine and how they expanded the exercises. These comprise a rotating Nine Day plan followed by a series of Supplemental Routines (including Reinhardt’s now-famous Warm Up #57), all of which players will benefit from simply by reading the instructions and playing the drills accordingly.The Reinhardt Routines-a total embouchure development plan has what it takes to develop that embouchure you’ve been dreaming of.This routine is not intended as a one-size-fits-all approach to the trumpet. Reinhardt knew there was no “one size fits all” way of teaching brass players.But thanks to Dave Sheetz and Rich Willey, a set of routines has been laid out, about half of which are based on his never-before-published revisions to his Manual of Studies. Most dedicated Reinhardt students know that’s a tall order, because you can’t just turn a player loose with many of the Reinhardt routines - every routine had a specific purpose and was assigned at a specific time. It’s all here.For years people have been asking for a collection of Reinhardt routines that would work without the benefit of studying with Reinhardt. At last, an organized regimen of Reinhardt routines presented in a manner that builds every aspect of your playing: range, endurance, sound, technique, shakes, breathing, articulation, key fluency, tonguing, slurring, multiple tonguing, consistency.
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